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Reencontrando el Camino (2:42)\n2. El Casamiento De Alicia (7:28)\na) Las desventuras de M\u00e6se Restifa\nb) Tema de Elgar \"Pompa y circunstancia\nc) La trompada\n3. Slika II (uklju\u010duju\u0107i uvod br. 1 J.S. Bacha) (3:14)\n4. Contrapunto Ritmico (6:30)\n5. Transparencije (20:10)\n\nUkupno vrijeme: 40:04\n\nPostava / Glazbenici\n- Nono Belvis / bas, vokal (5)\n- Daniel Curto / akusti\u010dna gitara (3)\n- Juan Del Barrio / klavir (1-5), bubnjevi (2), orgulje (4), viboretta (5)\n- Liliana Vitale / flauta (2-5), udaraljke (2), bubnjevi, vokali (5)\n- Lito Vitale / bubnjevi (1-4), synthovi (2), klavijature (2-3-5), flauta (5), vokal (5)\n\nObjavljuje informacije\nBelle Antique 9476 (1994).......MIA biografija\nNastala sredinom 70-ih, Independent Musicians Associated (MIA) bila je skupina glazbenika, tehni\u010dara i ladica koje su okupili roditelji Lita i Liliane Vitale. Samostalno su producirali plo\u010de i koncerte. Njihova glazba slo\u017een je simfonijski rock s definitivnim argentinskim/latino folk utjecajem s vi\u0161e koralja i vokala koji su lijepo u kontrastu s klavijaturama i sjajnim zvukom gitare na jakoj ritmi\u010dkoj dionici. Na njih je visoko utjecala simfonijska glazba, koju su vi\u0161e cijenili ELP, GENTLE GIANT i FOCUS.Njihov prvijenac bio je \"Transparencias\", izvrstan album klasike. Njihov drugi album bio je vokalno orijentiran. Predvo\u0111en Albertom Mu\u00f1ozom - autorom tekstova - ovaj je napor bio druga\u010diji pristup, iako je i dalje zadr\u017eao simfonijsko raspolo\u017eenje u obliku pjesama. Na \"Cornostipicumu\" MIA se vratila instrumentalno-simfonijskom rocku s razra\u0111enim komadima kao \u0161to je \"Crifana y Tam\u00edlstenes\". Ovaj album je vrlo preporu\u010dljiv klasik i zasigurno jedan od najboljih ikad iz Argentine. Posljednje izdanje MIA-e bio je veliki projekt pod nazivom \"Conciertos\", 3-LP album koji se sastoji od snimaka u\u017eivo s posljednjeg seta koncerata grupe. Sve to dolazi vrlo preporu\u010dljivo, MIA je bila jedinstveni glazbeni ansambl s definitivno progresivnom etikom.Zivanovic&Ladislav\u2026\u2026\u2026\u2026.MIA biography\nCreated in the mid-70s, the Independent Musicians Associated (MIA) was a group of musicians, technicians and drawers gathered by parents Lita and Liliana Vitale. They produced records and concerts on their own. Their music is a complex symphonic rock with a definite Argentine/Latin folk influence with more corals and vocals that contrast nicely with the keyboards and the great sound of the guitar on a strong rhythmic section. They were highly influenced by symphonic music, which was more appreciated by ELP, GENTLE GIANT and FOCUS. Their debut was \"Transparencias\", an excellent album of classics. Their second album was vocally oriented. Led by Albert Mu\u00f1oz - the author of the lyrics - this effort was a different approach, although it still retained a symphonic mood in the form of poems. On \"Cornostipicum,\" MIA returned to instrumental-symphonic rock with elaborate pieces such as \"Crifana y Tam\u00edlstenes.\" This album is a highly recommended classic and certainly one of the best ever from Argentina. Mia's latest release was a major project called \"Conciertos,\" a 3-LP album consisting of live recordings from the band's last set of concerts. All this comes highly recommended, MIA was a unique musical ensemble with definitely a progressive ethics. 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